Including, and perhaps especially, those of the heaps of corpses discovered in the concentration camps, the spectacular horror of which is still far from the reality. All the known images concerning this crime are thus, if not false, at least inappropriate. Some of these pictures were nonetheless reused later as authentic archival documents. Mandelbaum writes that “no images describing this crime are available.” He speaks, with regard to Auschwitz, of Soviet “propaganda pictures,” adding: ![]() In an article entitled “La Shoah et ces images qui nous manquent” (“The Shoah and those images we lack,” January 25, 2001, p.17), the journalist does not conceal his perplexity. ![]() This exposition, from which care has been taken to eliminate a few too obvious fakes, renders all the more stark, in our materialist age of the image, of photography and television, the absence of any photograph and of any material element which might prove that the Jews were, during the 1939-1945 war, “victims of an industrially planned extermination.” The last six words are those of Jacques Mandelbaum, a staff writer at the daily Le Monde. THE PHOTOGRAPHY EXPOSITION “Mémoire des camps,” currently on view in Paris at the seventeenth century palace known as the Hôtel de Sully, is stirring disquiet in some Jewish circles.
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